Bolsheviki and Motherhouse, two plays by David Fennario, recollect class struggles during and following WW1.
In Bolsheviki, a Montreal Gazette reporter wanders into a bar on Remembrance Day, in search of a human interest story. There he finds Harry “Rosie” Rollins, a veteran with a blistering view of the war and its aftermath. Rosie is based on Fennario’s 1979 interview with WW1 veteran Harry “Rosie” Rowbottom, who lost a finger in the Battle of Loos and was wounded at Vimy Ridge. Continue reading