I read the preface, then paused, then read it again. Such is the beauty and feeling in the picture that P. S. Duffy paints to start The Cartographer of No Man’s Land, engaging all the senses in a two-page vignette.
The Cartographer of No Man’s Land captures two stories, moving back and forth between the Western Front and the fictional Nova Scotia fishing village of Snag Harbour. Angus MacGrath is the bond between the two. He leaves behind his wife Hettie Ellen, his son Simon Peter, his father Duncan – enlisting in the hope of finding his brother-in-law and friend Ebbin Hant, who is missing in action. With skills as a painter and drafter, Angus believes he will be a cartographer in London, able to search from the relative safety of a desk job. But mapmakers are plentiful and cannon fodder is in constant need of replenishment. He finds himself instead in the front lines. Continue reading