Rosemary, for Remembrance

Happy anniversary to Great War 100 Reads! My modest project is now six years old. Longer than the war itself, not nearly as long as the war’s reach. After all, remembering is not just for milestone years.

The monuments have taken over now that my leisure reading is no longer exclusively about WW1. In some ways, researching the monuments and those they honour is easier now. The centenary gave a reason to gather and publish official and unofficial documentation. Some Canadian examples online:

Lucia’s War

When I interviewed Susan Lanigan after the publication of her first novel, White Feathers, I asked about her most interesting writing quirk. “Music,” she revealed. “Every character has a soundtrack – Lucia’s naturally is a bit longer since she is the most musical – and I stick in musical references whenever I can.”

Music is front and centre in Lanigan’s new novel, Lucia’s War. We meet Lucia Percival in London in 1950, a successful opera singer. She is scheduled to perform her last concert, but she has no intention of going on stage. A haunting secret from WW1 has caught up with her. She is baring her soul and telling that long-held secret to an admiring music critic.

An Interview with Great War 100 Reads

As the centenary of the Armistice approached last November, friend and Great War 100 Reads follower Vicki Schmolka turned the tables on me: “I have really enjoyed your posts, especially learning more about the role of women in the war and the interviews with authors. Made me think that it might be interesting for your loyal readers for you to answer a few questions.”

An excellent idea. To mark the fifth anniversary of Great War 100 Reads, here is our interview.

Bolsheviki and Motherhouse

Bolsheviki and Motherhouse, two plays by David Fennario, recollect class struggles during and following WW1.

In Bolsheviki, a Montreal Gazette reporter wanders into a bar on Remembrance Day, in search of a human interest story. There he finds Harry “Rosie” Rollins, a veteran with a blistering view of the war and its aftermath. Rosie is based on Fennario’s 1979 interview with WW1 veteran Harry “Rosie” Rowbottom, who lost a finger in the Battle of Loos and was wounded at Vimy Ridge.

The Last Summer of the World

Can a fictionalized story add to our understanding of a famous person whose life is well documented? That is Emily Mitchell’s mission in The Last Summer of the World.

The novel centres on photographer Edward Steichen. At the beginning of the war, he and his family fled from their home in France for the safety of the US, leaving behind his paintings, photos and negatives. Now it is 1918 and he has returned to France as a reconnaissance photographer for the US army. In the interim, his marriage to Clara has fallen apart.

The Great Swindle – Au revoir là-haut

With war comes profiteering, and opportunities for graft, corruption and exploitation can continue after the end of hostilities.

Starting in 1915, the French government banned exhumation of dead bodies, saying soldiers would be buried near where they fell. After the war, many bereaved family members ignored the law and clandestinely claimed the remains of their loved ones. They bribed undertakers or appealed to unscrupulous entrepreneurs.

The government decided to identify the countless bodies that had been quickly buried or left on the killing fields, and to repatriate them or consolidate them in large military cemeteries. Contracts were tendered with private companies to undertake the immense task of exhuming and identifying the remains, placing them in coffins, transporting and reburying them. With contract payments per corpse, fraud and cutting corners were an attractive way to make the profits more lucrative. The press broke the scandale des exhumations militaires in 1922, and the government could no longer look the other way.

Fields of Glory – Les champs d’honneur

Every younger generation views their elders as comic, mundane, absurd. Every older generation strives to impart the lessons of history on those who follow.

In Les champs d’honneur – Fields of Glory in English translation – Jean Rouaud revisits childhood in Loire-Atlantique in the 1960’s. The eccentricities of grandparents and countless other relatives who surround the family are seen through the eyes of a young narrator and two siblings.

In Falling Snow

We’re women. We do things. (p 78)

The Scottish Women’s Hospitals were founded during WW1 to help the war effort by offering medical assistance. The founders were committed to promoting women’s rights and believed that contributing to the war effort would help women win those rights.

The British Army refused their help. The women were not daunted, offering hospitals instead to other allied countries. The French were the first to accept. The second Scottish Women’s Hospital was established in the Abbaye de Royaumont, a 13C Cistercian abbey north of Paris, with Dr Frances Ivens as the chief medical officer. The hospital team cared for more than 10,000 wounded soldiers from 1915 to 1919.

Jump forward 70 years. Mary-Rose MacColl found herself in the wrong aisle at the library, having transposed two digits in a call number. She noticed a title, Women of Royaumont: A Scottish Women’s Hospital on the Western Front. Eileen Crofton’s book was the spark of inspiration for MacColl’s novel, In Falling Snow, which pays tribute to the women who served at Royaumont throughout the war. It also explores how the challenges for women in medical service have evolved (or not) from WW1 to the 1970s.

A Long, Long Trail

Really? Really. Four years into the WW1 centenary and four years since the start of this reading odyssey. In 317 posts, Great War 100 Years has documented 90 books read, over 200 monuments and memorials each Monday, and more interviews and musings.

Year three ended and year four started with my exploring the growing scholarship on medical women in the war. (Bravo to those bringing these fascinating stories back to life!) Now I’ve turned back to fiction for the most part. Some by authors who lived through the war. Most written from a longer view perspective in the last 30 years. A few with most exquisite prose. A range of voices showing the experiences of war for women, men and beasts.

Despised and Rejected and The Absolutist

Tragic gay love story meets WW1 conscientious objectors.

This will not end well.

A number of novels on the Great War 100 Reads list have touched on issues of homosexuality in WW1.* Now it comes front and centre.

Despised and Rejected by Rose Allatini (published as AT Fitzroy) and The Absolutist by John Boyne – two books published 93 years apart – both sensitively present the joy of realizing and the anguish of hiding what was considered a “perversion” at the time.